Bach Bibliography
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Year : 1993
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TypeListTitle [further info]SeriesVolNoYearPagesStatus
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1. A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. diss. 1993
2. L'évolution de langage contrapuntique de Mozart autour de l'année 1782: L'influence conjuguée de J. Haydn et J.S. Bach. diss. 1993
3. A Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). diss. 1993 107p
4. Die motettischen Sätze in Bachs Kantatenwerk. diss. 1993 110p
5. Zur Echtheitsproblematik im Werk J. S. Bachs - dargestellt an der Toccata BWV 565. diss. 1993 125p
6. Choral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy. diss. 1993 126p
7. A Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. diss. 1993 133p
8. A musician's introduction to Baroque dance. diss. 1993 139p
9. Tradition and Innovation in Franz Liszt's Variations on a Motive of Bach. diss. 1993 163p
10. Musical ambiguity in analysis and composition: Problems of pattern, value, form, and structure. diss. 1993 163p
11. Fingering, Pedalling and Expression in the Organ Works of J. S. Bach. diss. 1993 186p
12. Kurt Weill: A song Composer in Wartime With Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others. diss. 1993 187p
13. A diagnostic and analytical model of score preparation: A clinical approach to musical morphology. diss. 1993 189p
14. Überlegungen zu J. S. Bachs lebensgeschichtlichem Wandel am Ende der 1730er Jahre. Eine psychologisch-biographische Studie in Grenzgebieten. diss. 1993 199p
15. The Bach Sinfonias: A Guide to Analysis and Performance Planning. diss. 1993 234p
16. An investigation of the articulations found in the primary sources of the flute sonatas of Johann Sebastian Bach resulting in a composite edition for analysis and a second edition for practical performance. diss. 1993 281p
17. Mauricio Kagel, Sankt-Bach-Passion: Kompositionstechnik und didaktische Perspektiven. diss. 1993 297p
18. A historical perspective on unity in the keyboard partitas of Johann Sebastian Bach. diss. 1993 317p
19. Programmnost' v instrumental'noj muzyke epohi barokko: Problemy tipologii nacional'nyh skol. diss. 1993 48p
20. Johann Sebastian Bach: an Appreciation. diss. 1993 53p
21. 'Prelude of Suite V' for Cello Solo by J. S. Bach: Options for Performance. diss. 1993 57p
22. Free polyphonic texture in selected early piano works of Robert Schumann. diss. 1993 59p
23. Studies in the Music of Wilhelm Friedemann Bach: Sources and Style. diss. 1993 637 Bl
24. Anna Amalia von Preußen: Porträt einer Komponistin unter besonderer Berücksichtigung des soziologischen und des analytisch begründeten stilistischen Standorts diss. 1993 82, 35 Bl
25. George Rochberg's Carnival music, suite for solo piano: An aesthetic compositional and performance perspective. diss. 1993 90p
26. Kinship between the chorale preludes of J.S. Bach and those of Reger (Op. 67), Karg-Elert (Op. 65), Peeters (Opp. 68, 69, 70), Dupre (Op. 28). diss. 1993 x, 359p
27. The Pre-Classical Concerto of Johann Christian Bach: First Movement Design in the Eighteen 'London' Keyboard Concertos. diss. 1993 xii, 243p
28. Rhythm, Meter, and Phrase: Temporal Structures in Johann Sebastian Bach's Concertos. diss. 1993 xvii, 589p

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